Da escrita à película: a escritora Carolina Maria de Jesus para além do Quarto de despejo

Based on the works Diário de Bitita (2014), Quarto Espejo: uma favelada (2020), Casa Masonaria - Volume 1: Osasco (2021), 2: Santana by Carolina Maria Jesus, short film (2013), available video sharing platform YouTube, and documentary (2019), streaming GloboPlay, we are theoretically based concept of Structural Racism, present in Silvio Almeida ( 2021); Cuti's conceptions Black-Brazilian Literature (2010); defense that body hair symbols black identity, Nilma Lino Gomes (2020); conception Lugar fala, Djamila Ribeiro studies position people national cinematographic production, João Rodrigues (2011); pedagogical dimension ontological affirmation Brazilian cinema through eyes Celso Prudente Dacirlene Silva (2020). The purpose this article is to investigate relevance writer Jesus as one great representatives black-Brazilian literature an inspiration for Black Cinema, addition analyzing how writer's protagonism, intellectual, a way confront erasure historical silencing their literary productions reductionist representation audiovisual productions. In way, research problematizes linguistic prejudice structural racism faced well scarcity protagonism positive image cinema. order highlight Cinema process resistance decolonization We realize, with study, presence analyzed does not overcome overvaluation poverty, economic hardship romanticization challenges living hunger.